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Commissioned by Rose Lejeune for Wirksworth Festival, 2014.


The Affective Qualities of Dismissing Subjectivity

From, 'After Hegel: An Interview with Robert Pippin'

'This kind of critique of human subjectivity is essentially the result of those Paul Ricouer called the “masters of suspicion”: Marx, Nietzsche, and Freud. These are the first to suggest that the domain of conscious intention, decision, and judgment is merely an appearance, while the true determinates of what we take ourselves to be consciously determining are actually inaccessible to consciousness. The domain of our conscious attentiveness is a kind of illusion, a pretension to run the show of our own lives, whereas it is actually some manifestation of the relation between the mode of production and the relations of production in a given society, or the will to power, or the unconscious. What poststructuralism did, which is essentially a post-Heideggerian phenomenon, is intensify the skepticism about the possibility of running any show, by destabilizing the attempt to identify these so-called true forces of determination—the unconscious, the will to power, economic relations of class, and so on. Such an intense skepticism that we could ever come to any determination about those latent forces leaves one in a of condition of complete indeterminacy—a “floating signifier.”

The central response from the Hegelian tradition we have been discussing is that the conclusion of utter indeterminacy points immediately to its own practical unintelligibility. In other words, suppose you are convinced that human subjectivity, in this somewhat crude sense of “running the show,” is an illusion. What would it be to properly acknowledge this fact, in one’s life, from the first-person point of view? Are you supposed to wait around indefinitely, to see what your indeterminate forces do? There’s some enormous overcorrection in the history of Western thought since roughly Marx and Nietzsche, in which all sorts of babies are being thrown out with all kinds of bath water'